come artist
all forms are known neal
a third member in
a gesture to phi
a golden portion
sun mystics
robing their head in light
infant hearts under carnelian & feldspar
sitting still
present
in seed

  may your souls not remove themselves
  from you
  may your forms live and speak

1352 bce

basel 14

basel 14

basel 14!



 

 

 

charm

neters return

nectars seep

i search the emptiness

one

and him

sun gives night

hair reads light

pears and skin

vapors and wine

fingers and treats

harmony fall

layers in mother pillows

in rose mary white roses

an ocean

dusk drawing

deep

the eye

S

 

the difference between levels of tolerance is exponential

almost chakra like

probably so

the sharp rise at the end

on the way back

rich and ascendant

a need to lever and play with planes

then reduce

 

-----

the only reservation per spirit of az

 

 

 

 

is the population self selecting

nothing more

its "selection" process

only modified,

most certainly,

by extension cultures

evocations and interreflections

any core process end?

only fast change

without presence

in time or space

intrasystemic

like a sailfin tang hue

adapting to circumstance

nothing more

wanting so
to be a process

one would expect

to be foundational design

source programming

for units

insystem(s)

experienced by you

Atum reclined in the bath of Nun and coming,

came
tem

 

volumes in volume

descent into number

       1

in a field of

        2

the further you are from the elements

the longer you can be alone

these are all things we know

because we know them when we sleep

 

 

 

 

 

warm in the october lights

awake w/o a moon

a home

crying for grass

my dirt and the rocks

to pond my soul

for the nights

a heart

with no name

but a label

in the plastic

old juice

for the chill

 

the 'ties

the runs

pals spinning aflight

and I afloat in leaps

 

to the shore

and my faits

my path to step

dry in the light

wet in aside

 

for here could be a line

here is a stop

o but on a flee